Jim Riswold is considered as a well established. Jim Riswold was born in 1957. Also born in 1957 and of this same generation are Helmut Rausch, Gaberščik Boris, Yves Chaland, Fan Minyan, and James Norton.
Further Biographical Context for Jim Riswold
Born in 1957, Jim Riswold grew up during the 1970s and was inspired by the artistic atmosphere of the time. The 1970s were a period of consolidation and development in the arts, most often characterised as a response to the central strains of the preceding decade. Conceptual art developed as a influential movement, a partial evolution of and response to minimalism. Land Art took the works of art into the expansive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating esoteric and experimental bodies of work. Expressive figurative painting began to regain prominence for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly powerful figures worldwide. New York maintained an influential position in the international art scene, ensuring that global artists continued to gravitate to the galleries, bars and downtown scene there. A number of the artists who gained fame and successful in the 1960s remained dominant figures. For example, Andy Warhol branched out into film and magazine publishing, the first kind of cross cultural activity for a visual artist. This secured his reputation as a globally renowned celebrity in his own right. International movements began to gain prominence included feminism, which translated strongly into the visual culture, and photorealism which had begun in the 1960s and enjoyed substantial commercial and critical achievements. For the first time painters and sculptors from Latin America were embraced by the leading critical and institutional levers in New York. Towards the end of the 1970s, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists such as Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and ensuring that spray paint and tagging gained some acceptability as a fine art practice, a trend which would fully develop and dominate throughout the following decade. In Japan and Korea, artists associated with the Mono-Ha movement focused on encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, arranging them in mostly unchanged, ephemeral conditions. The works focused on the interplay between these various elements and the surrounding space, and had a strong focus upon the European philosophy of phenomenology. The predominantly Italian Arte Povera Movement gained world-wide recognition during the 1970s, with artists like Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto attaining worldwide acclaim.