1971 · United States
Jim Fetterly is a mid-career established artist, who originates from the United States, like other renowned artists such as Adam Raymont, Takeshi Murata, Val Britton, Winston Roeth, and Peter Barrickman. Jim Fetterly was born in 1971.
Jim Fetterly's exhibition
Historical Context of United States
The United States has been key in the development of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural importance of New York assumed primacy over Paris, formerly considered as the most important art centre in the world. Leading art movements developed and cultivated in important ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern repetitions of these many movements. In the modern and contemporary age, the United States has cultivated a prevailing influence over the visual culture of the World, due to the dominion of its economic and political structures. Key examples of world renowned U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Jim Fetterly
Born in 1971, Jim Fetterly was primarily inspired by the 1990s growing up. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied group of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most well known member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became known for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an outlook that was defiant yet commercial. Due to the large amount of media coverage that they garnered, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of creating art based on human relations and their social context, became a central idea in the 1990s. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this agenda.