Jill Del Mace
Jill Del Mace is seen as an established contemporary artist. Jill Del Mace was born in 1947. Artists like Lucia Corbinelli, Sergey Hovsepian, Yves Bage, Errol A. Brimacombes, and Linda Butler were also born in 1947.
Further Biographical Context for Jill Del Mace
Born in 1947, Jill Del Mace was predominantly inspired by the 1960s growing up. The 1960s were a sensational decade internationally, bearing witness to great increase of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the start of the Cold War, which would endure for most of the second half of the twentieth century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place around the world. Psychedelia, an massive increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key constituents of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive philosophies of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Around the world a number of artistic movements resonated the artistic concerns of the above mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the anguish related to the human condition.