Jiangbai Cai is a contemporary artist considered well established, Jiangbai Cai was born in 1942. Artists born in the same year and of the same generation are Petr Balíček, Lowell Darling, Jan De Breucker, Edith Baumann-Maussner, and Lynn Stern.
Further Biographical Context for Jiangbai Cai
Born in 1942, Jiangbai Cai was predominantly influenced by the 1960s. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing concurrently as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were developing. Minimalism developed the central idea that art should exist in its own reality, and not try to represent the physical world. Born of a desire to eradicate all pre-established conceptions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental philosophies of Abstract Expressionism, while getting rid of the emotional and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, distinctive to different areas or countries. Spatialism, for instance, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Across Europe, the ideologies of Existentialism strongly influenced artists such as Francis Bacon and Alberto Giacometti, who strived to portray the raw human emotions often connected to reflections on death and the haunting angst of the meaninglessness of life.