1959 · Denmark
Jesper Rasmussen is seen as an established contemporary artist, who was born in Denmark. Jesper Rasmussen was born in 1959. Also born in Denmark around 1959 and of the same generation are Eva Koch and Lise Malinovsky.
Galleries and Exhibitions
Jesper Rasmussen is represented by two galleries, which are Galleri Susanne Ottesen and Galerie MøllerWitt in Copenhagen, Denmark. Jesper Rasmussen's work has most recently been exhibited at Galerie MøllerWitt in Copenhagen (04 April 2019 until 19 April 2019) with the exhibition 8+1. Jesper Rasmussen's only other exhibition is On Photography, which took place at Galleri Susanne Ottesen in Copenhagen, Denmark (21 April 2017 - 27 May 2017).
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, which borders its southern limits. This sensibility is often combined with the Nordic attributes of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced a key painter of Post-Impressionism, Vilhelm Hammershøi. Renowned for his wistful and extremely scarce interiors, Hammershøi's reputation was founded on his exquisite representations of light and shadow in simple, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a major country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's vivid colours and vibrant childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Jesper Rasmussen
Jesper Rasmussen was born in 1959 and was largely influenced by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The majority of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity. The Arte Povera movement, which appeared in Italy, received international acknowledgement in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were critically acclaimed.