Jens Chr. Jensen
1949 · Denmark
Jens Chr. Jensen is an established artist, who was born and brought up in Denmark, like other renowned artists such as Vincenzo Esposito, Madelene Poulsen, Aseel Saloom, Elmgreen & Dragset, and Poul Andersen. Jens Chr. Jensen was born in 1949.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This responsiveness is often combined with the Nordic traits of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated a key painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his melancholic and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal representations of light and shadow in simple, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a significant country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's vivid colours and lively childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Jens Chr. Jensen
Born in 1949, Jens Chr. Jensen was primarily inspired by the 1960s. Historically set in the context of the Cold War, the 1960s epitomize an extremely powerful era which generated an important number of breaks and challenged the order of all things. In Europe, The Iron Curtain and the Berlin wall would eternally mark people and beliefs, while in the U.S, events such as the Cuban missile crisis and Vietnam war would forever influence generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society ensued, with ground-breaking values and movements emerging in a cradle of innovation. Simplicity and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly composed of polished, clean lines and geometrical elements. The very first blossoming of Conceptualism was highly influenced by the simplicity of Minimalism but went further in rejecting all pre-existing conceptions inherent to art, similarly to what Pop Artists were trying to achieve by elevating popular culture to the status of high art. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideologies of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often linked to the human condition. globally, an important number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.