1920 · France
Jean Messagier is seen as an established artist, who was born in France. Jean Messagier was born in 1920. Some of the artist's contemporaries that are born around the same year and in the same country include Georges Mathieu, François Morellet, Yves Klein and Niki De Saint Phalle.
Jean Messagier's work is available on display in 3 galleries listed on Artland. Some of those galleries are Galerie Michel Descours, Galerie Catherine Putman, as well as Ceysson & Bénétière | Paris in France.
Historical Context of France
France stands out as one of the most prominent agents of modernism. What is today referred to as the avant-garde was established in the first half of the nineteenth century, and included innovative and cutting-edge movements such as Impressionism, Post-impressionism and Art Nouveau, led by key figures of the art sphere. Critically praised and dominant French artists from the early years of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he originally was a Spanish national who relocated in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was thought to be the most influential and intellectual artistic centre at the onset of the century and supported the development of such fundamental movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which emerged in the post war era.
Further Biographical Context for Jean Messagier
Born in 1920, Jean Messagier was largely influenced by the 1950s. The 1950s can be said to have been dominated by Abstract Expressionism, a form of painting that prioritised expressive brushstrokes and explored ideas about organic nature, spirituality and the sublime. Much of the focus was on the formal techniques of painting, and ideas of action painting were unified with the political freedom of the United States society as opposed to the strictures nature of the Soviet bloc. Key artists of the Abstract Expressionist Generation included Jackson Pollock (who innovated his famed drip, splatter and pour painting techniques), Willem de Kooning, Mark Rothko, Frank Kline, Barnett Newman, Clyfford Still and Adolph Gottlieb. It was a male dominated environment, but necessary reassessment of this period has emphasised the contributions of female artists such as Lee Krasner, Joan Mitchell, and Louise Bourgeois, amongst others.