James P. Kerr
James P. Kerr is considered as a well established. James P. Kerr was born in 1953. Artists Philippe Anthonioz, Hans Buenk, Catherine Wagner, Henrik Saxgren, and Mario Díaz Bencomo are of the same generation.
Further Biographical Context for James P. Kerr
James P. Kerr was born in 1953 and was primarily inspired by the 1970s. The art sphere of the 1970s was epitomized by a wish to grow and strengthen itself, as a reaction to the many tensions of the previous decade. One of the most central movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative journey of Process art emerged by combining essential aspects of Conceptualism with further considerations on art itself. The initial ideas of environmentalism bounced from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its prominence, predominantly in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York remained as the most prominent artistic hub of the decade, with global artists wandering through the downtown scene, frequenting bars and art galleries, strengthening the idea of New York City as a cosmopolitan and sophisticated cultural capital. In the eastern part of the globe, Japanese and Korean artists who held a strong interest in the European ideologies of phenomenology, associated with the Mono-Ha movement, exploring and shifting the frontiers between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they intended to create life to artworks that would emphasize the ephemeral state of these various elements and their surroundings, playing with their interdependency.