Jale Nejdet Erzen
Further Biographical Context for Jale Nejdet Erzen
Born in 1943, Jale Nejdet Erzen was predominantly inspired by the 1960s growing up. In the art world, a multitude of significant changes were also taking place. Pop Art, embracing the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was gradually breaking down the bases on which the production and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a cutting-edge movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical aspect – aspiring to pure visual responses. Simplicity and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly gathering polished, clean lines and geometrical elements. Delving further into some of the concepts inherent to Abstract Expressionism, artists such as Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – decidedly relating to Minimalism, with an essentially ruled-based approach, emptied of any emotional aspect. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists heavily persuaded by the ideas of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often linked to the human condition. worldwide, an important number of art movements resonated with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.