1972 · Pakistan
Imran Qureshi is seen as an established mid-career artist, who originates from Pakistan, like other renowned artists such as Rasheed Araeen, Nasreen Mohamedi, Muhammad Zeeshan, Miraal Abid, and Naiza Khan. Imran Qureshi was born in 1972.
Galleries and Exhibitions
Imran Qureshi is represented and exhibited by multiple galleries around the world, in countries like the United Kingdom and Austria. The galleries exhibiting Imran Qureshi's work include Galerie Thaddaeus Ropac | London and Corvi-Mora in the United Kingdom, as well as Galerie Thaddaeus Ropac | Salzburg Halle in Austria. Imran Qureshi most recent exhibition recorded on Artland was at Corvi-Mora in London (29 March 2019 until 17 May 2019) with the exhibition Group Exhibition . Imran Qureshi's only other exhibition is THE SEEMING ENDLESS PATH OF MEMORY, which took place at Galerie Thaddaeus Ropac | Paris Pantin in France (18 May 2019 - 26 July 2019).
Further Biographical Context for Imran Qureshi
Born in 1972, Imran Qureshi was largely inspired by the 1990s. In the United Kingdom, a group of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, connected generally by their age and nationality. Many of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most famous member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs garnered a controversial public image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and entrepreneurial. The group dominated the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists such as Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this outline.
- Galleries Representing this Artist