Hildegard Adams-Rosing is an established contemporary visual artist, Hildegard Adams-Rosing was born in 1948. Artists born in the same year and of the same generation are Eric Fischl, Eva - Maria Schön, Alison Britton, Thomas Nölle, and Yves Oppenheim.
Further Biographical Context for Hildegard Adams-Rosing
Born in 1948, Hildegard Adams-Rosing was predominantly inspired by the 1960s. In the art sphere, a multitude of powerful changes were also taking place. Pop Art, embracing the culture of mass media through the works of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the foundations on which the production and reception of art were built. Getting inspired from the imagery of popular culture and mass consumerism, the Pop Artists refuted the authority of highbrow art and created a cutting-edge movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional expression and focused on art’s theoretical aspect – aiming for pure visual responses. Honesty and an void of emotions were key concepts in the highly influential movement of Minimalism, embodied by artists such as Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly gathering polished, pure lines and geometrical elements. The very first flourishing of Conceptualism was highly influenced by the simplicity of Minimalism but went further in rejecting all pre-existing conceptions inherent to art, similarly to what Pop Artists were trying to achieve by uplifting popular culture to the status of high art. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists heavily persuaded by the ideologies of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often associated with the human condition. globally, an important number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group embraced similar ideas under the leadership of Günther Uecker.