1956 · United States
Hilary Brace is a contemporary artist considered well established, who was born in the United States. Hilary Brace was born in 1956. Some of the artist's contemporarie that are from the same generation and country include Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.
Historical Context of United States
The US, in particular New York city, remains as a central point that has played a substantial role in developing modern and contemporary art in the twentieth century. The concept of New York as a new cosmopolitan and highly influential art centre emerged in the post war era, and the city thrived in affirming its supremacy over Paris, which used to be considered as the most powerful global art capital. The predominance of the political and economic institutions of the United States in the modern sphere has granted the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are significant art movements that blossomed in the US. These very movements also echoed into a myriad of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally distinguished U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Hilary Brace
Born in 1956, Hilary Brace was largely inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to progress and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre reclaimed its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple global renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the generation. All over, various movements defined the 1970s. Amongst others, feminism and the new radical theories it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also received critical and commercial success. The critical, leading artistic figures of New York city started to embrace painters and sculptors from Latin America.