1960 · United States
Heather Carson is an established contemporary artist, who originates from the United States. Heather Carson was born in 1960. Artists Kara Walker, Jason Rhoades, Ellen Gallagher, Andrea Zittel, Elizabeth Peyton, Rob Pruitt and Jean Michel Basquiat are of the same generation and same country as Heather Carson.
Historical Context of United States
The United States, in particular New York city, remains as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The idea of New York as a new multinational and highly influential art hub appeared in the post war era, and the city succeeded in asserting its dominance over Paris, which used to be considered as the most powerful global art capital. The predominance of the political and economic structures of the United States in the modern era has granted the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are significant art movements that blossomed in the US. These very movements also reverberated into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally acclaimed U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Heather Carson
Born in 1960, Heather Carson was primarily influenced by the 1970s. The art sphere of the 1970s was epitomized by a longing to evolve and reinforce itself, as a response to the many tensions of the previous decade. One of the most central movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative journey of Process art materialized by combining essential elements of Conceptualism with further considerations on art itself. The earliest ideas of environmentalism bounced from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its status, predominantly in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York persisted as the most prominent artistic hub of the decade, with global artists drifting through the downtown scene, visiting bars and art galleries, strengthening the idea of New York City as a cosmopolitan and refined cultural capital. Towards the end of the 1970s, street art, evolving from graffiti, was starting to truly mesmerize the fine art community. Keith Haring and Jean-Michel Basquiat helped legitimize spray painting and tagging, demonstrating that their artworks could subsist at the same time in art galleries and on city walls. Following, the global extent of street art would become extremely significant, representing an extraordinary form of artistic expression.