1951 · Sudan
Hassan Musa is an established artist, who originates from Sudan, like other celebrated artists such as Mohammad Omer Khalil, Atong Atem, Lucy Mackenzie, Khalid Kodi, and Hassan Musa. Hassan Musa was born in 1951.
Galleries and Exhibitions
Hassan Musa's work is available for viewing at Galerie Maïa Muller in Paris, France. Hassan Musa most recent exhibition recorded on Artland was at Galerie Maïa Muller in Paris with the exhibition STEAL LIFES. The exhibition was open from 09 April 2019 until 31 May 2019.
Further Biographical Context for Hassan Musa
Hassan Musa was born in 1951 and was largely influenced creatively by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, flourished in Tokyo in the 1970s. Discarding traditional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.
- Galleries Representing this Artist