1954 · Austria
Hans Weigand is an established contemporary artist, who was born in Austria, like other celebrated artists such as Eduard Winklhofer, Albert Mayr, Jakob Kirchmayr, Julie Monaco, and Carmen Brucic. Hans Weigand was born in 1954.
Galleries and Exhibitions
Hans Weigand's work is on display at Gabriele Senn Galerie located in Vienna, Austria. Hans Weigand's work has most recently been exhibited at Gabriele Senn Galerie in Vienna (27 March 2019 until 26 April 2019) with the exhibition ROCK PAPER SCISSORS | Schere Stein Papier. Hans Weigand's other most recent exhibitions listed on Artland include the exhibitions at; Galerie Elisabeth & Klaus Thoman | Vienna in Austria (14 September 2018 - 13 October 2018) with the name vienna waits for you - take care! and Charim Galerie in Austria (10 January 2018 - 03 February 2018) with the name Material Traces.
Historical Context of Austria
At the start of the 20th century, Austria was among the most pioneering and culturally progressive countries. It fostered important developments in the Arts and Crafts Movement and Art Nouveau, called Jugendstil in German, from around 1895 to 1910, forming a key bridge between the 19th century and the commencement of modernism. This kind of progressive, avant-garde thinking led directly into the Viennese Secession movement, one of the key art and design movements of the early twentieth century. It was founded in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman Koloman Moser, Otto Wagner, and Gustave Klimt, when artists resigned, en masse, from the Association of Austrian Artists in protest against its support for more traditional artistic styles. and an exchange of ideas with artists outside Austria, disputing artistic nationalism, renewing the decorative arts and, most crucially, creating a "total art (Gesamtkunstwerk)" that unified painting, architecture, and the decorative arts. The group was fervently opposed to the domination of the official Vienna Academy of the Arts (the Vienna Künstlerhaus), and official art salons, with their traditional orientation toward Historicism. Ultimately the group broke apart, the decorative artists choosing instead to focus on a new guild called the Wiener Werkstatte. In the late 1930s, Austria was annexed by the rising force of Hitler's Nazi Germany, an act known as the Anschluss, and which organised Austria into a province of a greater German Reich. During this period, like in Germany, the Avant-garde was named 'Entartete Kunst', translating to 'degenerate art', and was oppressed with only 'official' social realist art being approved, or even allowed by the state. Consequently, there was a significant exodus of creative talent who determined that their interests would be best served by moving to London or New York. In the 20th century, key Austrian artists included Josef Hoffman, Gustav Klimt, Egon Schiele, Herbert Bayer (the typography and graphic design pioneer of the Bauhaus), architect and designer Josef Frank, Oskar Kokoschka, Alfred Kubin, Friedensreich Hundertwasser, Maria Lassnig, Hermann Nitsch, Arnulf Rainer, Franz West and Erwin Wurm.
Further Biographical Context for Hans Weigand
Hans Weigand was born in 1954 and was primarily inspired creatively by the 1970s. The art sphere of the 1970s was epitomized by a desire to evolve and reinforce itself, as a reaction to the many tensions of the previous decade. One of the most important movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative voyage of Process art materialized by combining essential aspects of Conceptualism with further reflections on art itself. The earliest ideas of environmentalism sprung from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its status, particularly in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the leading artistic figures of the 1960s remained highly influential and admired throughout the 1970s. Andy Warhol, for instance, fortified his status as a legendary artist, by bifurcating into film and magazine publishing, thus instituting a ground-breaking concept of cross-cultural activity for a visual artist of such popularity In the eastern part of the globe, Japanese and Korean artists who held a strong interest in the European ideas of phenomenology, allied with the Mono-Ha movement, exploring and shifting the boundaries between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they aimed to give life to artworks that would accentuate the ephemeral state of these various elements and their surroundings, playing with their interdependency.
- Galleries Representing this Artist