Glen Hughes is seen as an established artist. Glen Hughes was born in 1945. Also born in 1945 and of this same generation are Ido Erani, Marc Deneyer, Jérôme Dufay, Joaquim Baltazar, and Francesco Giordano.
Further Biographical Context for Glen Hughes
Born in 1945, Glen Hughes' creative work was predominantly influenced by the 1960s. The 1960s were an explosive decade internationally, bearing witness to great increase of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the twentieth century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place across the globe. Psychedelia, an enormous increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key elements of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive notions of Abstract Expressionism, but reduced much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Around the world many artistic movements resonated the artistic concerns of the above mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for creatives, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their distinguishing approaches to the human form and the anguish related to the human condition.