1956 · United States
Glen Holland is seen as an established contemporary artist, who was born in the United States. Glen Holland was born in 1956. Artists Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons are of the same generation and same country as Glen Holland.
Historical Context of United States
The United States, especially New York city, endures as a focal point that has played a substantial role in developing modern and contemporary art in the twentieth century. The idea of New York as a new multinational and highly influential art hub emerged in the post war era, and the city succeeded in asserting its dominance over Paris, which used to be regarded as the most powerful international art centre. The predominance of the political and economic institutions of the United States in the modern era has provided the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that emerged in the United States. These very movements also reverberated into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally acclaimed U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Glen Holland
Born in 1956, Glen Holland's creative work was largely inspired by the 1970s. The 1970s were a period of consolidation and progress in the arts, most often characterised as a response to the central strains of the previous decade. Conceptual art emerged as a influential movement, and was in part an evolution of and response to minimalism. Land Art took the artwork into the expansive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating esoteric and experimental bodies of work. Expressive figurative painting began to regain prominence for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly renowned figures worldwide. New York maintained an influential position in the international art world, ensuring that international artists continued to flock to the galleries, bars and downtown scene in the city. International movements began to gain importance included feminism, which translated strongly into the visual culture, and photorealism which had begun in the 1960s and enjoyed significant commercial and critical success. For the first time painters and sculptors from Latin America were embraced by the leading critical and institutional levers in New York.