1971 · United Kingdom
Gillian Carnegie is seen as an established mid-career contemporary artist, who originates from the United Kingdom. Gillian Carnegie was born in 1971. Born in the same country and of the same generation are Banksy, Idris Khan and Annie Morris.
Galleries and Exhibitions
Gillian Carnegie is represented and exhibited by two galleries, which are dépendance in Brussels, Belgium and Galerie Gisela Capitain in Cologne, Germany. Gillian Carnegie most recent exhibition recorded on Artland was at dépendance in Brussels (24 April 2019 until 24 April 2019) with the exhibition Solo Exhibition .
Historical Context of United Kingdom
Through colonisation and the resulting ascent of its Empire, the United Kingdom reached the status of a giant, although the prosperity and economic power did not shelter it from the obvious cultural authority of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a somewhat significant extent eclipsed by their respective impact on the art of the modern period. But it is towards the end of the nineteenth century that it truly became an essential and crucial agent in the development of the avant-garde, through radical and progressive trends such at the Arts and Crafts Movement, which would become essential to the further development of bohemian artists movements or other artist-led guilds of the twentieth century. Vorticism is a significant movement, fundamentally characteristic of British modernism, it involved artists renowned for their affiliation to the Bloomsbury group. A few critically acclaimed British artists of the modern and contemporary era include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Gillian Carnegie
Gillian Carnegie was born in 1971 and was predominantly influenced creatively by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a diverse group of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most renowned member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became known for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an outlook that was defiant yet enterprising. Due to the large amount of media coverage that they garnered, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this idea.