1981 · France
Géraud Soulhiol is seen as an established mid-career artist, who was born and brought up in France, like other renowned artists such as Raphaëlle Serre, Jean-Baptiste Maitre, Xavier Noiret-Thomé, Michel Gouéry, and Maxime Blachere. Géraud Soulhiol was born in 1981.
Galleries and Exhibitions
Géraud Soulhiol is represented and exhibited by Galerie 22,48 m2 located in Paris, France. Géraud Soulhiol is at the moment exhibiting at Galerie 22,48 m2 in Paris with the exhibition Arcadie (05 March 2020 - 07 May 2020).
Historical Context of France
France stands out as one of the most influential agents of modernism. What is today known as the avant-garde was pioneered in the first half of the nineteenth century, and embraced progressive and ground-breaking movements such as Impressionism, Post-impressionism and Art Nouveau, led by key figures of the art sphere. Critically praised and dominant French artists from the early years of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he initially was a Spanish national who relocated in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was thought to be the most important and intellectual artistic centre at the start of the century and supported the development of such fundamental movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which appeared in the post war era.
Further Biographical Context for Géraud Soulhiol
Born in 1981, Géraud Soulhiol was predominantly influenced by the 1990s. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most famous artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became noted for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a core idea. It was a term coined by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this agenda.
- Galleries Representing this Artist