Gerardo Cammarota

1944

Artist biography

Gerardo Cammarota is an established artist, Gerardo Cammarota was born in 1944. Also born in 1944 and of this same generation are Franca Bernardi, Kazuo Kitai, Carlos Brache, Alfred De Credico, and Ján Berger.

Further Biographical Context for Gerardo Cammarota

Gerardo Cammarota was born in 1944 and was largely influenced creatively by the 1960s growing up. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing simultaneously as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first features of what would be known as Conceptual art were developing. Minimalism established the central idea that art should subsist in its own reality, and not try to represent the physical world. Born of a desire to obliterate all pre-established notions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Minimalism became influential through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was an essential by-product of the latter, at the same time critiquing and glorifying popular culture. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, distinctive to different areas or countries. Spatialism, for example, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Throughout Europe, the ideologies of Existentialism strongly influenced artists such as Francis Bacon and Alberto Giacometti, who strived to portray the raw human emotions often associated with reflections on death and the haunting angst of the meaninglessness of life.