1953 · France
Gene Mann is a contemporary artist considered well established, who was born in France - other established artists such as Bruno Peinado, Pierre Bismuth, Tom De Pekin, Claude Monet, and Benjamin Sabatier were also born in France. Gene Mann was born in 1953.
Galleries and Exhibitions
Gene Mann's work is available for viewing at Aubert Jansem Galerie in Carouge, Switzerland. Gene Mann's work has most recently been displayed during the exhibition Archéologie du silence at Aubert Jansem Galerie in Carouge, Switzerland. The exhibition was open from 02 November 2018 until 21 December 2018.
Historical Context of France
France strikes out as one of the most influential agents of modernism. What is today known as the avant-garde was established in the first half of the nineteenth century, and involved progressive and ground-breaking movements such as Impressionism, Post-impressionism and Art Nouveau, driven by key figures of the art sphere. Applauded and leading French artists from the early years of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he originally was a Spanish national who settled in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was thought to be the most influential and intellectual artistic centre at the onset of the century and supported the development of such vital movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which appeared in the post war era.
Further Biographical Context for Gene Mann
Born in 1953, Gene Mann was largely influenced by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all characteristic of a strong desire to evolve and consolidate the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple world renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic heart of the era. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, flourished in Tokyo in the 1970s. Rejecting traditional ideas of representation, the artists favoured an interpretation of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.
- Galleries Representing this Artist