Fritzner Chery is seen as an established artist, Fritzner Chery was born in 1947. Artists Daniel Aeberli, Giovanni Cesca, Jean-Michel Aucler, Chan Kwan Lap Eddy, and Chang Weizhen are of the same generation.
Further Biographical Context for Fritzner Chery
Born in 1947, Fritzner Chery's creative work was largely influenced by the 1960s. Artistically, the decade began with the twin movements of Pop and Minimalism emerging parallel to each other. On one hand, Pop advocated the visual culture of the mainstream and mass media, and of products and consumerism. Artwork by artists like Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the fast developing Capitalism of the United States, using things like advertising, comic books and ideas surrounding celebrity culture as their main visual inspiration. A parallel movement developed on the West Coast in California - a strain that also related to language in art, and is viewed as the very first developments of conceptual art. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key components of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive philosophies of Abstract Expressionism, but stripped away much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Globally, many artistic movements echoed the artistic concerns of the previously mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the anguish related to the human condition.