Friedrich Hechelmann is considered as a well established. Friedrich Hechelmann was born in 1948. Artists Ulf Alund, Guo Fushen, Arnold Dahlslett, Angelo Brescianini, and Sally Dray are of the same generation.
Further Biographical Context for Friedrich Hechelmann
Born in 1948, Friedrich Hechelmann was primarily influenced by the 1960s. The 1960s were a sensational decade internationally, bearing witness to proliferation of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the start of the Cold War, which would endure for most of the second half of the 20th century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place globally. Psychedelia, an enormous increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, predicated solely on line, colour and geometric form as key constituents of both painting and sculpture. The key figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive philosophies of Abstract Expressionism, but stripped away much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, many artistic movements echoed the creative concerns of the previously mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their idiosyncratic approaches to the human form and the anguish related to the human condition.