Franz H. Hennet
Franz H. Hennet is considered as a well established. Franz H. Hennet was born in 1946. Also born in 1946 and of this same generation are Yossi Asher, Alain Ghertman, Konstantin Assol, Pierre Von Gunten, and Hélène Champaloux.
Further Biographical Context for Franz H. Hennet
Born in 1946, Franz H. Hennet was as deeply indebted to the events of the 1960s as their formative influences. In the art world, a multitude of powerful changes were also taking place. Pop Art, embodying the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the bases on which the production and reception of art were built. Getting inspired from the imagery of popular culture and mass consumerism, the Pop Artists refuted the authority of highbrow art and created a ground-breaking movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional expression and focused on art’s theoretical aspect – aiming for pure visual responses. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, represented by artists such as Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly composed of polished, clean lines and geometrical elements. The very first flourishing of Conceptualism was significantly influenced by the purity of Minimalism but went further in rejecting all pre-existing conceptions inherent to art, similarly to what Pop Artists were trying to achieve by uplifting popular culture to the status of high art. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideas of Existentialism, who achieved worldwide fame through their depiction of the human form and the anguish often associated with the human condition. worldwide, a significant number of art movements echoed with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.