1980 · Austria
Florian Schmidt is a mid-career established artist, who was born and brought up in Austria, like other well-known artists such as Manfred Bockelmann, Klaus Scherübel, Alfred Neumayr, Peter Sandbichler, and Szymon Olszowski. Florian Schmidt was born in 1980.
About Florian Schmidt's work
Florian Schmidt is a prominent figure in Abstraction. Abstraction, in literal terms, means distancing or suppressing one thing from another. When it comes to the visual arts, it can be understood as creating an artwork which moves away from a true representational reference point. The movement first came to be in the early 20th century, and can be seen as an attempt to release the artist’s creative energy, through freedom and constant self-renewal. In abstract artworks, the object is simplified, with the use of colours and textures, thus creating a fundamentally new idea of reality. Abstract art can be traced back to Impressionism, and paved the way for a significant number of movements, including Cubism, Surrealism, or Abstract Expressionism, which is still considered to be one the most powerful contemporary art movements. Some critically acclaimed artists renowned for their contribution to Abstraction include Wassily Kandinsky, Jackson Pollock, or Pablo Picasso.
Galleries and Exhibitions
Florian Schmidt's work is available on display in 3 galleries around the globe, such as in the United Kingdom, France, and Germany. The galleries exhibiting Florian Schmidt's work include Fold Gallery in London, New Galerie in Paris, as well as Philipp von Rosen Galerie in Cologne. Florian Schmidt most recent exhibition recorded on Artland was at Fold Gallery in London with the exhibition CARRY ON. The exhibition was open from 23 January 2019 until 08 May 2019. Florian Schmidt's work has also been exhibited during the The Space of Painting exhibition at Philipp von Rosen Galerie in Cologne, Germany (24 May 2019 - 30 August 2019).
Currently on Artland, nine of Florian Schmidt's works are available to purchase.
Historical Context of Austria
At the turn of the 20th century, Austria was among the most innovative and culturally progressive countries. It fostered important developments in the Arts and Crafts Movement and Art Nouveau, called Jugendstil in German, from around 1895 to 1910, forming an important bridge between the nineteenth century and the onset of modernism. This kind of progressive, avant-garde thinking led directly into the Viennese Secession movement, one of the key art and design movements of the early twentieth century. It was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman Koloman Moser, Otto Wagner, and Gustave Klimt, when artists resigned, en masse, from the Association of Austrian Artists in protest against its support for more traditional artistic styles. and an exchange of ideas with international artists, disputing artistic nationalism, renewing the decorative arts and, most crucially, creating a "total art (Gesamtkunstwerk)" that unified painting, architecture, and the decorative arts. The group was strongly opposed to the dominance of the official Vienna Academy of the Arts (the Vienna Künstlerhaus), and official art salons, with their traditional orientation toward Historicism. Ultimately the group broke apart, the decorative artists choosing instead to focus on a new guild called the Wiener Werkstatte. In the late 1930s, Austria was annexed by the developing force of Hitler's Nazi Germany, an act known as the Anschluss, and which organised Austria into a province of a greater German Reich. During this period, like in Germany, the Avant-garde was labelled 'Entartete Kunst', translating to 'degenerate art', and was oppressed with only 'official' social realist art being approved, or even allowed by the state. Consequently, there was a noticeable exodus of creative talent who determined that their interests would be best served by relocating to London or New York. In the 20th century, important Austrian artists included Josef Hoffman, Gustav Klimt, Egon Schiele, Herbert Bayer (the typography and graphic design pioneer of the Bauhaus), architect and designer Josef Frank, Oskar Kokoschka, Alfred Kubin, Friedensreich Hundertwasser, Maria Lassnig, Hermann Nitsch, Arnulf Rainer, Franz West and Erwin Wurm.
Further Biographical Context for Florian Schmidt
Born in 1980, Florian Schmidt's creative work was primarily inspired by the 1990s. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse group of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most renowned artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became known for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Conceptual photography led by German ideas and artists came to prominence. Artists such as Andreas Gursky, Thomas Struth, and Wolfgang Tillmans gained major recognition, and inspired other artists such as the Canadian Jeff Wall, who experimented with the kind of cinematic expansiveness associated with the German artists’ work. Painters like Albert Oehlen and Martin Kippenberger exercised a notable influence on less established artists.