Florence Cantie-Kramer is an established artist, Florence Cantie-Kramer was born in 1949. Artists Ernie Morton Babber, Silvio Apponyi, Antonio Bencich, Martin Disler, and Peg Averill are of the same generation.
Further Biographical Context for Florence Cantie-Kramer
Florence Cantie-Kramer was born in 1949 and was predominantly inspired by the 1960s growing up. The 1960s were an explosive decade internationally, witnessing a great increase of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the start of the Cold War, which would endure for most of the second half of the twentieth century, and was epitomised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place globally. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key constituents of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive philosophies of Abstract Expressionism, but reduced much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Globally, many artistic movements resonated the creative concerns of the previously mentioned movements, often with regional specialties and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their distinctive approaches to the human form and the angst related to the human condition.