1953 · Denmark
Galleries and Exhibitions
Eva Koch is represented by Martin Asbæk Gallery in Copenhagen, Denmark. Eva Koch most recent exhibition recorded on Artland was at Martin Asbæk Gallery in Copenhagen with the exhibition Note To Self. The exhibition was open from 21 March 2017 until 13 May 2017.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, which borders its southern frontiers. This sensibility is often mixed with the Nordic attributes of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated a key painter of Post-Impressionism, Vilhelm Hammershøi. Renowned for his wistful and extremely scarce interiors, Hammershøi's reputation was founded on his exquisite representations of light and shadow in simple, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a major country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's vivid colours and lively childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Eva Koch
Born in 1953, Eva Koch's creative work was predominantly inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to progress and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, including some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the generation. The Arte Povera movement, which appeared in Italy, received international acknowledgement in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were critically acclaimed.
- Galleries Representing this Artist