1946 - 2002
Eugene Hunt was a visual artist. Eugene Hunt was born in 1946 and died in 2002. Also born in 1946 and of this same generation are Nelly Davidy, Claus Bury, Michael Balog, Bernard Chenez, and Yves Blin.
Further Biographical Context for Eugene Hunt
Eugene Hunt was born in 1946 and grew up during the 1960s and was influenced by the artistic culture of the time. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing simultaneously as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first features of what would be known as Conceptual art were developing. Minimalism established the crucial idea that art should subsist in its own reality, and not try to mimic the real world. Born of a desire to eradicate all pre-established notions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental ideologies of Abstract Expressionism, while getting rid of the expressive and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, particular to different regions or countries. Spatialism, for instance, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Across Europe, the ideologies of Existentialism strongly influenced artists such as Francis Bacon and Alberto Giacometti, who strived to portray the raw human emotions often connected to reflections on death and the lingering angst of the meaninglessness of life.