1983 · United States
Erin Hinz is an established mid-career artist, who was born in the the United States, like other renowned artists such as Elizabeth Cambron, Scott Barber, Anne Harvey, Richard Avedon, and Patrick Mcgilligan. Erin Hinz was born in 1983.
Historical Context of United States
The United States has been a major country in the evolution of modern and contemporary art in the twentieth century, especially in the post war era, when the cultural status of New York assumed primacy over Paris, formerly thought of as the most significant art centre internationally. Major art movements established and fostered in extensive ways throughout the United States include Abstract Expressionism in diverse forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern echoes of these many types. In the modern and contemporary age, the United States has exercised a strong influence upon the international visual culture, due to the authority of its economic and political systems. Key examples of world renowned U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Erin Hinz
Born in 1983, Erin Hinz was largely influenced by the 1990s. In the United Kingdom, a group of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. Many of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most famous member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs garnered a divisive reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and entrepreneurial. The group was predominant in the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a central idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this agenda.