1956 · United States
Eric Green is seen as an established contemporary artist, who originates from the United States. Eric Green was born in 1956. Born in the same country and around the same year are Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Eric Green's Gallery representation
Eric Green's work is on display at Miles McEnery Gallery I 525 in New York, the United States.
Historical Context of United States
The United States has been a prominent country in the development of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural prominence of New York asserted its influence over Paris, previously considered as the most significant art hub in the world. Leading art movements developed and cultivated in extensive ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern repetitions of these many types. In the modern and contemporary era, the United States has exercised a strong influence over the international visual culture, due to the hegemony of its economic and political institutions. Key examples of world renowned U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Eric Green
Born in 1956, Eric Green grew up during the 1970s and was inspired by the artistic culture of the time. The 1970s were a period of consolidation and growth in the arts, most often defined as a response to the dominant strains of the previous decade. Conceptual art emerged as a influential movement, and was in part an evolution of and response to minimalism. Land Art took the artwork into the extensive outdoors, taking creative production away from commodities and looking to engage with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal reflections, creating mysterious and experimental bodies of work. Expressive figurative painting began to regain prominence for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly renowned figures worldwide. New York maintained an influential position in the international art scene, ensuring that international artists continued to flock to the galleries, bars and downtown scene there. n Japan and Korea, artists associated with the Mono-Ha movement explored on encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, arranging them in mostly unaltered, fleeting states. The works focused on the interdependency of these various elements and the surrounding space, and had a strong interest in the European philosophy of phenomenology.