Emy Van Vrijberghe De Coningh
1947 - 1992
Emy Van Vrijberghe De Coningh was a creative visual artist, Emy Van Vrijberghe De Coningh, born in 1947, died in 1992. Artists Nancy Haynes, Sergio Alvarez Frugoni, Alan Magee, Clemens Bender, and Chen Zhaoting are of the same generation.
Further Biographical Context for Emy Van Vrijberghe De Coningh
Born in 1947, Emy Van Vrijberghe De Coningh's creative work was primarily inspired by the 1960s. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing simultaneously as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first features of what would be known as Conceptual art were developing. Minimalism established the central idea that art should subsist in its own reality, and not try to represent the real world. Born of a desire to obliterate all pre-established conceptions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Minimalism became significant through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was an essential by-product of the latter, at the same time critiquing and glorifying popular culture. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, particular to different regions or countries. Spatialism, for example, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Throughout Europe, the ideologies of Existentialism strongly influenced artists like Francis Bacon and Alberto Giacometti, who sought to depict the raw human emotions often associated with reflections on death and the lingering angst of the meaninglessness of life.