1986 · Mexico
Elizabeth Ibarra's creative explorations take form in painting, works on paper, mixed media sculptures and assemblages of tree branches she calls "Sunday Findings". Through bold colours and expressionist gestures, Ibarra’s work refers to ideas of life beyond Earth and is unified through a sense of magic and haunting. Her pictorial representations of the figure are recognisably human but they also bare a strangeness, an unidentifiable alien nature. In doing so, Ibarra conjures a hybrid form of human and alien life and through gestural brushstrokes she gives them a sense of movement and brings these bodies to life. Ibarra’s hybrid forms could represent extraterrestrial beings, the experience of being a foreigner with an outside perspective or simply the feeling loneliness. However they are interpreted, Ibarra’s works are sensitive yet satirical in their mystical nature and provoke questions about human existence on planet Earth.
Ibarra was born in Mexico in 1986 and now lives in Los Angeles. Although her work bares resembles to modern masters such as Joan Miro, Louise Bourgeois, J. M. W. Turner as well as a nod to Romanticism, Ibarra did not undergo a formal education. Instead, her stylistic development was independent and inspired by the connectivity and simplicity of images and cosmology.
Ibarra’s work has been exhibited on a global scale. Recent features include A5 Magazine in London (2017), The Newsstand Project and Cirrus Gallery in Los Angeles (2019), and most recently Rental Gallery in New York (2020).