1972 · Italy
Elisabetta Necchio is seen as an established mid-career artist, who was born in Italy, like other well-known artists such as Luca Andreoni, Michele Parisi, Piero Lissoni, Frani Ettore, and Domenico Carboni. Elisabetta Necchio was born in 1972.
Elisabetta Necchio's exhibition
Historical Context of Italy
Italy has been tremendously sumptuous in cultural influence since the time of the Romans, this classical period has exerted a significant influence on the cultural development and identity of the country. Italy is also the realm of the Renaissance, called 'Rinascita' in Italian, translating to 'rebirth'. The Renaissance has been considered, from the early 1400s, as the first major blossoming of cultural sophistication in art, architecture, music, poetry, philosophy and politics since the Middle Ages. During the modern and contemporary period, Italy was tormented by the fascism of Mussolini but has nonetheless remained as a vital centre for artistic expression, spawning movements such as Futurism, Arte Povera and the Minimalism related to the Zero Movement, as well as the expressive painting of the Transavanguardia. Important Italian artists of the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Elisabetta Necchio
Elisabetta Necchio was born in 1972 and was predominantly influenced by the 1990s growing up. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, connected generally by their age and nationality. Many of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most famous member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a controversial reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and entrepreneurial. The group dominated the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a central idea in the 1990s. Works by artists such as Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this outline.