1956 · Denmark
Elisabeth Toubro is seen as an established artist, who was born in Denmark. Elisabeth Toubro was born in 1956. Some of the artist's contemporaries that are born around the same year and in the same country include Eva Koch and Lise Malinovsky.
Elisabeth Toubro's Gallery representation
Elisabeth Toubro's work is available for viewing at Galerie Mikael Andersen located in Copenhagen, Denmark.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, which borders its southern limits. This sensibility is often combined with the Nordic traits of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Acclaimed for his wistful and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal representations of light and shadow in simple, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a significant country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's bright colours and lively childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Elisabeth Toubro
Born in 1956, Elisabeth Toubro's creative work was predominantly inspired by the 1970s. The 1970s were a period of consolidation and development in the arts, most often characterised as a response to the dominant stresses of the preceding decade. Conceptual art developed as a influential movement, a partial evolution of and response to minimalism. Land Art took the artwork into the spacious outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating cryptic and experimental bodies of work. Expressive figurative painting began to regain prominence for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly renowned figures worldwide. New York maintained an important position in the international art world, ensuring that international artists continued to flock to the galleries, bars and downtown scene in the city. International movements began to gain importance included feminism, which translated strongly into the visual culture, and photorealism which had begun in the 1960s and enjoyed substantial commercial and critical success. For the first time painters and sculptors from Latin America were embraced by the leading critical and institutional levers in New York.
- Galleries Representing this Artist