1905 · France
Eli Lotar is an established contemporary artist, who was born in France. Eli Lotar was born in 1905. Artists Victor Vasarely, Jean Dubuffet and Yves Tanguy are of the same generation and same country as Eli Lotar.
Eli Lotar's Gallery representation
Eli Lotar is represented by Gitterman Gallery located in New York, the United States.
Historical Context of France
France strikes out as one of the most prominent agents of modernism. What is today known as the avant-garde was pioneered in the first half of the nineteenth century, and included innovative and cutting-edge movements such as Impressionism, Post-impressionism and Art Nouveau, led by key figures of the art world. Critically praised and leading French artists from the early years of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he initially was a Spanish national who settled in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was thought to be the most influential and intellectual artistic centre at the onset of the century and supported the development of such vital movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which flourished in the post war era.
Further Biographical Context for Eli Lotar
Eli Lotar was born in 1905 and was predominantly influenced creatively by the 1920s growing up. The 1920s and 1930s saw continued development and evolution of the key innovations of the first years of the twentieth century. To have these years as the formative period for an artist was to be surrounded by incredible practitioners of the visual arts. It was also a time of recovery and introspection after the horrors of the First World War, which saw significant shifts in politics. Marxism was a widespread political ideology which was also extremely influential among artists and their communities. The Bauhaus was founded in 1919, and became an essential place surrounding notions in favour of the unification of art, craft and design disciplines – an idea that became known as the Gesamtkunstwerk. Surrealism came to be the predominant expressive mode of the 1920s, and was aided by the liberalism of Germany’s Weimar Republic, which was an environment that allowed for tremendous creative blossoming.
- Galleries Representing this Artist