1976 · United States
Eduardo Sarabia is is an established, mid-career contemporary artist, who was born in the the United States, like other prominent artists such as Ben Echeverria, Will Cotton, Tim Rollins, Noah Singer, and Merion Estes. Eduardo Sarabia was born in 1976.
Galleries and Exhibitions
Eduardo Sarabia's work is on display in two galleries, which are Galerie Anne de Villepoix in Paris, France and joségarcía, mx in Mexico City, Mexico. Eduardo Sarabia most recent exhibition recorded on Artland was at Galería Javier López & Fer Francés in Madrid (25 April 2019 until 12 June 2019) with the exhibition INTRAHISTORIAS. Eduardo Sarabia's only other exhibition is VECINOS, which took place at Aimee Friberg Exhibitions | CULT in San Francisco, the United States (27 October 2017 - 20 January 2018).
Historical Context of United States
The United States has been a prominent country in the development of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural importance of New York asserted its influence over Paris, previously considered as the most powerful art centre globally. Major art movements established and fostered in significant ways throughout the United States include Abstract Expressionism in diverse forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern repetitions of these many types. In the modern and contemporary age, the United States has exercised a strong influence upon the international visual culture, due to the dominion of its economic and political institutions. Key examples of important U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Eduardo Sarabia
Born in 1976, Eduardo Sarabia's creative work was largely influenced by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of artists, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became known for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They gained a large amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a core idea. It was a term created by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this agenda.