1943 · United Kingdom
Douglas Allsop is a contemporary artist considered well established, who originates from the United Kingdom. Douglas Allsop was born in 1943. Artists Maggi Hambling, Richard Cook and Phyllida Barlow are of the same generation and same country as Douglas Allsop.
Douglas Allsop's Gallery representation
Douglas Allsop is represented by Fresh Window in New York, the United States.
Historical Context of United Kingdom
Through colonisation and the consequent ascent of its Empire, the United Kingdom reached the status of a giant, although the prosperity and economic power did not shelter it from the apparent cultural authority of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a somewhat significant extent outshined by their respective influence on the art of the modern period. But it is towards the end of the nineteenth century that it truly became an essential and crucial agent in the development of the avant-garde, through major and progressive trends such at the Arts and Crafts Movement, which would become essential to the further development of bohemian artists movements or other artist-led guilds of the twentieth century. Vorticism is a significant movement, essentially distinctive of British modernism, it involved artists known for their association to the Bloomsbury group. A few critically significant British artists of the modern and contemporary period include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Douglas Allsop
Douglas Allsop was born in 1943 and was predominantly inspired creatively by the 1960s. The 1960s were a sensational decade internationally, witnessing a great increase of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the 20th century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place globally. Psychedelia, an enormous increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key elements of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive philosophies of Abstract Expressionism, but reduced much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Globally, a number of artistic movements echoed the artistic concerns of the previously mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for creatives, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their distinctive approaches to the human form and the angst related to the human condition.