Doug Edge

1942 · United States

Artist biography

Doug Edge is an established artist, who was born and brought up in the United States. Doug Edge was born in 1942. Born in the same country and of the same generation are Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger.

Doug Edge's Gallery representation

Doug Edge is represented by CMAY GALLERY in Los Angeles, the United States.

Historical Context of United States

The United States, especially New York city, remains as a central point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly influential art hub emerged in the post war era, and the city succeeded in affirming its supremacy over Paris, which used to be regarded as the most powerful global art capital. The predominance of the political and economic structures of the United States in the modern sphere has provided the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that emerged in the US. These very movements also reverberated into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally distinguished U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.

Further Biographical Context for Doug Edge

Doug Edge was born in 1942 and was predominantly inspired creatively by the 1960s growing up. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing simultaneously as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were blossoming. Minimalism established the central idea that art should exist in its own reality, and not try to mimic the physical world. Born of a desire to obliterate all pre-established notions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Minimalism became influential through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was a fundamental by-product of the latter, simultaneously critiquing and glorifying popular culture. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, particular to different regions or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Across Europe, the philosophy of Existentialism strongly influenced artists like Francis Bacon and Alberto Giacometti, who strived to portray the raw human emotions often connected to reflections on death and the haunting anxiety of the meaninglessness of life.

Doug Edge

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