1955 · Italy
Domenico Bianchi is seen as an established contemporary artist, who originates from Italy, like other famous artists such as Stefania Zocco, Franco Dellerba, Marco Furlani, Corrado Spreafico, and Benedetto Pietromarchi. Domenico Bianchi was born in 1955.
Domenico Bianchi is represented and exhibited by multiple galleries around the world, in countries such as the United Kingdom, France, and Italy. Galleries exhibiting Domenico Bianchi's work include Cardi Gallery | London in the United Kingdom, Galerie Piece Unique in France, and OTTO in Italy.
Historical Context of Italy
The classical period of the Romans has exerted a consequential influence on the cultural and intellectual development of Italy, contributing to the uniqueness of the country and its splendid artistic legacy. Italy is also the country that epitomizes the Renaissance, “Riniscita” in its original language, which translates to “rebirth”. From the early 1400s, the Renaissance has been an intense era of cultural and political flourishing, engendering revivals in art, architecture, music, poetry and philosophy. Although greatly tormented by the fascism of Mussolini in the modern and contemporary period, Italy has never lost its place as one of the most essential artistic centres, home to cutting-edge movements such as Futurism and Arte Povera, as well as the expressive painting of the Transavanguardia and the Minimalism related to the Zero Movement. Some highly influential Italian artists from the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Domenico Bianchi
Born in 1955, Domenico Bianchi's creative work was predominantly influenced by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost twenty years ago, the genre reclaimed its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple world renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic heart of the era. Across the globe, numerous movements defined the 1970s. Amongst others, feminism and the innovative radical philosophies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, prominent artistic pillars of New York city started to embrace painters and sculptors from Latin America.