Further Biographical Context for Dina Larot
Dina Larot was born in 1942 and was primarily inspired by the 1960s. Historically set in the context of the Cold War, the 1960s epitomize an extremely powerful era which engendered a significant number of disruptions and questioned the order of all things. In Europe, The Iron Curtain and the Berlin wall would eternally mark people and beliefs, while in the U.S, predicaments such as the Cuban missile crisis and Vietnam war would forever influence generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society developed, with revolutionary philosophies and movements evolving in a cradle of inventiveness. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, embodied by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly gathering polished, pure lines and geometrical elements. The very first flourishing of Conceptualism was highly influenced by the simplicity of Minimalism but went further in denying all pre-existing conceptions inherent to art, similarly to what Pop Artists were trying to attain, by uplifting popular culture to the status of high art. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally persuaded by the ideas of Existentialism, who achieved worldwide success through their depiction of the human form and the anguish often linked to the human condition. globally, an important number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.