1946 · United States
Diana Moore is regarded as a well established artist, who was born and brought up in the United States. Diana Moore was born in 1946. Born in the same country and of the same generation are Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger.
Diana Moore's exhibition
Historical Context of United States
The United States has been a major country in the development of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural status of New York asserted its influence over Paris, previously thought of as the most powerful art hub globally. Major art movements established and fostered in significant ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern echoes of these many movements. In the modern and contemporary era, the United States has exercised a powerful influence upon the visual culture of the World, due to the hegemony of its economic and political structures. Key examples of world renowned U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Diana Moore
Diana Moore was born in 1946, grew up during the 1960s and was inspired by the artistic culture of the time. Historically set in the context of the Cold War, the 1960s epitomize an extremely powerful era which generated a significant number of breaks and challenged the order of all things. In Europe, The Iron Curtain and the Berlin wall would permanently mark people and beliefs, while in the U.S, predicaments such as the Cuban missile crisis and Vietnam war would forever impact generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society ensued, with revolutionary values and movements evolving in a cradle of innovation. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly gathering polished, clean lines and geometrical elements. Delving further into some of the ideas inherent to Abstract Expressionism, artists such as Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – strongly relating to Minimalism, with an essentially ruled-based approach, emptied of any emotional aspect. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally persuaded by the ideologies of Existentialism, who achieved worldwide fame through their depiction of the human form and the lament often associated with the human condition. Internationally, a significant number of art movements echoed with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group embraced similar ideas under the leadership of Günther Uecker.