1953 · United Kingdom
Derek Collins is an established contemporary visual artist, who originates from the United Kingdom. Derek Collins was born in 1953. Artists Lubaina Himid, Anish Kapoor and John Akomfrah are of the same generation and same country as Derek Collins.
Historical Context of United Kingdom
Through colonisation and the consequent ascent of its Empire, the United Kingdom reached the status of a giant, although the wealth and economic power did not shelter it from the apparent cultural supremacy of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a somewhat significant extent eclipsed by their respective impact on the art of the modern period. But it is towards the end of the nineteenth century that it truly became an essential and vital agent in the development of the avant-garde, through major and progressive trends such at the Arts and Crafts Movement, which would become fundamental to the further development of bohemian artists movements or other artist-led organisation of the twentieth century. Vorticism is a noteworthy movement, essentially characteristic of British modernism, it involved artists known for their affiliation to the Bloomsbury group. A few critically significant British artists of the modern and contemporary era include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Derek Collins
Derek Collins was born in 1953 and was largely influenced by the 1970s. The 1970s were a period of consolidation and growth in the arts, most often defined as a response to the dominant stresses of the previous decade. Conceptual art developed as a influential movement, a partial evolution of and response to minimalism. Land Art took the works of art into the expansive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating cryptic and experimental bodies of work. Expressive figurative painting began to regain prominence for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly respected figures worldwide. New York maintained an influential position in the international art scene, ensuring that international artists continued to gravitate to the galleries, bars and downtown scene in the city. International movements began to gain prominence included feminism, which translated strongly into the visual culture, and photorealism which had begun in the 1960s and enjoyed substantial commercial and critical success. For the first time painters and sculptors from Latin America were embraced by the dominant critical and institutional levers in New York.