1958 · United States
Deb Whitney is seen as an established artist, who originates from the United States. Deb Whitney was born in 1958. Born in the same country and around the same year are Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.
Historical Context of United States
The US, especially New York city, endures as a focal point that has played a substantial role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly powerful art centre came to be in the post war era, and the city thrived in asserting its supremacy over Paris, which used to be considered as the most powerful international art centre. The authority of the political and economic structures of the United States in the modern era has granted the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are essential art movements that emerged in the United States. These very movements also echoed into a myriad of variations, such as alternative forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally acclaimed U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Deb Whitney
Deb Whitney was born in 1958 and was largely inspired creatively by the 1970s growing up. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to progress and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, highlighting some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The majority of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. All over, numerous movements defined the 1970s. Amongst others, feminism and the new radical ideologies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also received critical and commercial success. The critical, prominent artistic figures of New York city started to embrace painters and sculptors from Latin America.