1971 · United States
Dean Sameshima is a mid-career contemporary visual artist, who was born in the the United States, like other well-known artists such as Daniel Rios Rodriguez, Mike Goodlett, Brenda Zappitell, Jane Shoenfeld*, and Joshua Huyser. Dean Sameshima was born in 1971.
Galleries and Exhibitions
Multiple galleries around the world represent and exhibit Dean Sameshima's work, including galleries in countries such as the United States and Germany. Galleries include GAVLAK | Palm Beach and GAVLAK | Los Angeles in the United States, and Peres Projects in Germany. Dean Sameshima's work has most recently been exhibited at GAVLAK | Los Angeles in the United States (25 October 2019 until 20 December 2019) with the exhibition Inaugural Exhibition.
Historical Context of United States
The United States has been a major country in the development of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural importance of New York asserted its influence over Paris, previously thought of as the most important art centre internationally.
Leading art movements established and cultivated in extensive ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern iterations of these many movements. In the modern and contemporary sphere, the United States has exercised a strong influence over the visual culture of the World, due to the hegemony of its economic and political structures. Key examples of critically acclaimed U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Dean Sameshima
Dean Sameshima was born in 1971 and was primarily inspired by the 1990s. In the United Kingdom, a group of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most famous member of the group is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a divisive public image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and entrepreneurial. The group was predominant in the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary.
The rise of consumerism and advertising that took place in the 1980s influenced a trend in Japan that matured into the art form of manga, which was visually inspired by trends in advertising and graphic design. Takashi Murakami arose as a leading figure in the art world, coining the term ‘Superflat’ to describe a theory inspired by the aesthetic characteristics of manga and the nature of post-war Japanese culture. Murakami went on to found the influential Kaikai Kiki collective, which was inspired by his experiences living in New York City in the mid-1990s.
Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this outline.
The art world was influenced by a number of trends throughout the 1990s, the controversial, hyper-realistic sculptures of Maurizio Cattelan and the sensitive, conceptual work of Felix Gonzalez-Torres epitomised the cultural tone of the era.
German artists and ideas strongly influenced trends in conceptual photography during this period. German artists such as Andreas Gursky, Thomas Struth, and Wolfgang Tillmans gained international recognition, and inspired international artists such as the Canadian Jeff Wall, who created images with a cinematic expressiveness that were inspired by the themes represented in the German artists’ work. At the same time, Albert Oehlen and Martin Kippenberger gained influential status in the field of painting.