1957 · United States
David Robbins is seen as an established contemporary artist, who was born and brought up in the United States. David Robbins was born in 1957. Some of the artist's contemporaries that are born around the same year and in the same country include Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Galleries and Exhibitions
David Robbins' work is on display at Galerie Jurgen Becker in Hamburg, Germany. David Robbins' work has most recently been displayed during the exhibition The Party at Anton Kern Gallery in New York, the United States. The exhibition was open from 12 July 2018 until 31 August 2018.
Historical Context of United States
The United States has been a prominent country in the development of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural importance of New York asserted its influence over Paris, formerly considered as the most significant art centre worldwide. Leading art movements established and cultivated in significant ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern iterations of these many types. In the modern and contemporary period, the United States has cultivated a prevailing influence upon the worldwide visual culture, due to the authority of its economic and political systems. Key examples of critically acclaimed U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for David Robbins
David Robbins was born in 1957 was primarily influenced by the distinctive cultural milieu of 1970s. The art sphere of the 1970s was epitomized by a desire to grow and strengthen itself, as a response to the many conflicts of the previous decade. One of the most important movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative journey of Process art emerged by combining essential elements of Conceptualism with further considerations on art itself. The initial ideas of environmentalism sprung from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its prominence, predominantly in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York remained as the most prominent artistic hub of the decade, with global artists drifting through the downtown scene, frequenting bars and art galleries, consolidating the idea of New York City as a cosmopolitan and sophisticated cultural capital. In the eastern part of the globe, Japanese and Korean artists who showed a strong interest in the European ideas of phenomenology, associated with the Mono-Ha movement, exploring and shifting the frontiers between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they aimed to give life to artworks that would emphasize the ephemeral state of these various elements and their surroundings, playing with their interdependency.
- Galleries Representing this Artist