Further Biographical Context for David Hunter
David Hunter was born in 1947 and was largely influenced by the 1960s. The universal impact of the 1960s was truly astonishing across the globe. Illustrative of a time inspiring both hope and anger, the 1960s prompted an explosion of cutting-edge philosophies and movements, truly exciting and ground-breaking. Historically established in the context of the Cold War, which would have a highly influential impact worldwide, mainly defined by the Iron Curtain dividing Europe both physically and spiritually, and significantly marked by the construction of the Berlin Wall in 1961. The 1960s re-defined all pre-existing expectations on gender, race and justice, questioned education as well as morality and selfhood – for instance through the civil rights movement and second wave of feminism, as well as student political uprisings. The incredible boom of mass consumerism also defined the era, engendering new trends in marketing and advertising. Minimalism established the crucial idea that art should subsist in its own reality, and not try to represent the real world. Born of a desire to erase all pre-established conceptions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental ideologies of Abstract Expressionism, while eliminating the expressive and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, distinctive to different areas or countries. Spatialism, for example, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Across Europe, the ideologies of Existentialism strongly influenced artists like Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often connected to reflections on death and the lingering anxiety of the meaninglessness of life.