David E Stone
1947 · United States
David E Stone is seen as an established contemporary artist, who was born in the United States. David E Stone was born in 1947. Artists Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger are of the same generation and same country as David E Stone.
Historical Context of United States
The United States has been key in the development of modern and contemporary art in the twentieth century, especially in the post war era, when the cultural prominence of New York assumed primacy over Paris, formerly considered as the most important art centre worldwide. Leading art movements established and cultivated in extensive ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many types. In the modern and contemporary period, the United States has exercised a strong influence over the international visual culture, due to the hegemony of its economic and political structures. Key examples of important U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for David E Stone
David E Stone was born in 1947 and was predominantly influenced by the 1960s. Historically established in the context of the Cold War, the 1960s epitomize an extremely powerful era which engendered an important number of disruptions and questioned the order of all things. In Europe, The Iron Curtain and the Berlin wall would eternally mark people and beliefs, while in the U.S, events such as the Cuban missile crisis and Vietnam war would forever influence generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society ensued, with ground-breaking values and movements evolving in a cradle of inventiveness. Honesty and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly composed of polished, pure lines and geometrical elements. The very first blossoming of Conceptualism was significantly influenced by the simplicity of Minimalism but went further in denying all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to achieve by uplifting popular culture to the status of high art. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally persuaded by the ideologies of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often linked to the human condition. Internationally, an important number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group embraced similar ideas under the leadership of Günther Uecker.