David Deutsch

1943 · United States

Artist biography

David Deutsch is seen as an established artist, who originates from the United States. David Deutsch was born in 1943. Some of the artist's contemporarie that are from the same generation and country include Chuck Close, Dale Chihuly, Bruce Nauman, James Turrell and Barbara Kruger.

David Deutsch's Gallery representation

David Deutsch's work is on display at Kerry Schuss located in New York, the United States.

Historical Context of United States

The United States, in particular New York city, remains as a central point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new cosmopolitan and highly influential art centre emerged in the post war era, and the city succeeded in affirming its dominance over Paris, which used to be considered as the most powerful international art centre. The predominance of the political and economic structures of the United States in the modern era has provided the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are essential art movements that blossomed in the United States. These very movements also echoed into a myriad of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally acclaimed U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.

Further Biographical Context for David Deutsch

Born in 1943, David Deutsch was largely inspired by the 1960s. In the art world, a multitude of powerful changes were also taking place. Pop Art, embodying the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was gradually breaking down the foundations on which the production and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists refuted the authority of highbrow art and created a revolutionary movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional expression and focused on art’s theoretical aspect – aspiring to pure visual responses. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, represented by artists such as Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly composed of polished, pure lines and geometrical elements. The very first blossoming of Conceptualism was significantly influenced by the purity of Minimalism but went further in denying all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to achieve by uplifting popular culture to the status of high art. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists heavily seduced by the ideas of Existentialism, who achieved worldwide fame through their depiction of the human form and the anguish often linked to the human condition. globally, a significant number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group adopted similar ideas under the leadership of Günther Uecker.

David Deutsch

  • Exhibitions 1

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