Daniela Campo is an established contemporary visual artist, Daniela Campo was born in 1944. Artists Gérard Abrial, Alain Michel Boucher, Ed Flood, Katharina Sieverding, and Dominique Ampe are of the same generation.
Further Biographical Context for Daniela Campo
Born in 1944, Daniela Campo was largely inspired by the 1960s growing up. Artistically, the decade began with the twin movements of Pop and Minimalism emerging parallel to each other. On one hand, Pop championed the visual culture of the mainstream and mass media, and of products and consumerism. The work of art by artists such as Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the rapidly developing Capitalism of the United States, using things like advertising, comic books and ideas surrounding celebrity culture as their main visual cues. A parallel movement was established on the West Coast in California - a strain that also related to language in art, and is viewed as the very first blossoming of conceptual art. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key elements of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive ideas of Abstract Expressionism, but stripped away much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, many artistic movements resonated the artistic concerns of the previously mentioned movements, often with regional specialties and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their idiosyncratic approaches to the human form and the angst related to the human condition.