Concha Gómez-Acebo

1960 · Spain

Artist biography

Concha Gómez-Acebo is an established artist, who originates from Spain. Concha Gómez-Acebo was born in 1960. Born in the same country and around the same year are Miquel Barceló and Juan Muñoz.

Concha Gómez-Acebo's Gallery representation

Concha Gómez-Acebo is represented by Galeria Utopia Parkway located in Madrid, Spain.

Historical Context of Spain

The influence of Spain was significant in establishing the art of the twentieth century. Initially with his Blue then Rose phases, although he would eventually relocate to France in 1904, Picasso revealed a truly expressive approach to figuration in the early 1900s, the era of post-Impressionism. Pablo Picasso is also thought to be the most influential founding member of Cubism, a major art movement in which he would also be joined by Spanish artist Juan Gris. While they were established in France for the majority part of their respective artistic careers, Salvador Dali and Joan Miro were both highly prominent figures in the Surrealist movement. The political and cultural landscape of Spain during the twentieth century was governed by the totalitarian dictatorship of General Franco, whose regime subjugated the country from 1939 to 1975. His passing induced a restoration of the monarchy to Juan-Carlos I, who thus reformed the State. The Franco dictatorship, characterised by an intense anti-communist position, led to the exodus of major intellectual and cultural figures, decided to escape this oppressive regime. The artistic and cultural flourishing of the avant-garde were greatly affected by this situation, as liberal artistic movements are frequently associated with leftist penchants. Some highly influential modern and contemporary Spanish artists include Antoni Tapíes, Eduardo Chillida, Eduardo Arroyo and Manolo Valdes.

Further Biographical Context for Concha Gómez-Acebo

Born in 1960, Concha Gómez-Acebo's creative work was largely influenced by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, highlighting some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost two decades, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, flourished in Tokyo in the 1970s. Rejecting conventional ideas of representation, the artists favoured an interpretation of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.

Concha Gómez-Acebo

  • Exhibitions 2

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